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Instead, Ortiz’s transculturation denominates the transformative process undergone by a society in the acquisition of foreign cultural material – the loss or displacement of a society’s culture due to the acquisition or imposition of foreign material, and the fusion of the indigenous and the foreign to create a new, original cultural product and identity. Focus is set on reading the dance corpus of Chinese choreographers whose works demonstrate and outline what I call ‘transculturating bodies’, an innovative process that transforms the amalgam of ‘global’ contents of the arts (dance) not into a cultural transplantation or imitation, but instead it leads into a new, original creation...
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