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Both of these paintings are typical of Friedrich in that they are composed of characters viewing nature from within nature. These characters are in a mode of reflection; they are distanced from their regular lives, which are full of finite, tangible, objects, and instead are immersed in a realm of intangible infinity, experiencing the overwhelming excess of nature in full force. These characters experience first hand the paradox of the massive force of nature, and the finitude of human life. The viewer simultaneously must realize the limits of their own perspective when looking at either of these paintings, both of which are composed of characters that have been placed very carefully in order to tease at the viewers’ inability to view the painting through the main character’s eyes...
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