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In the dark background you can see a shadowy church. This concentration of light, coming from low down, gives the feeling of a scene on the stage; and the buildings against the dark sky remind me of a backcloth. And yet the picture is far from being theatrical in the sense of unreal, for at no point has Goya forced or over emphasized a gesture. Even the purposeful repetition of the soldiers' movement is not formalized, as it would have been in official decorative art, and the hard shapes of their helmets seem to deliver their blows irregularly.
In the late 1700s Goya became completely deaf so gestures and facial expressions became vivid and images stayed in his mind...
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