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Furthermore, in the same sequence, we see love depicted in a vulgar, animalistic manner, at odds with the natural, unsullied love we find in the other authors: ‘The viper, a land snake, lusts for the eel’, described as Clitophon’s ‘erotic lesson’ to Leucippe. Thus we can clearly observe an early hint of, as Kathryn Chew comments in ‘Achilles Tatius and Parody’, Achilles‘ ‘parodic subversion of romantic standards’4. Moreover, the lovers do not fall in love both instantaneously and simultaneously, as is the case in the likes of Daphnis and Chloe and Chaereas and Callirhoe, since it takes time for Leucippe to fall for Clitophon’s youthful exuberance: ‘She discretely indicated that she had not been displeased by my discourse’5...
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