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Moreover every name in The Master and Margarita clues the reader of that character’s qualities. For example, Bulgakov names the protagonist “the master” his name is never capitalized, hence it’s not a name, this generalization demonstrates that he’s an everyman artist. Like Bulgakov, the master suffers from government regime and censorship, hence is forced to hide his identity. The external conflict with society is present in both novels, therefore all characters are forced to adapt to the new rules set by the government, which makes them oppressed in the society. Also Bulgakov made the master nameless to foreshadow his internal conflict of not recognition, when he abandons his name “I am a master… I no longer have a name...
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Common topics in this essay:
- The Present Builds Upon the Past
- The Giver Author, SEtting, Theme, Connection to Self, Connection ot another book read, Conflict, Protagonist, Antagonist, and Summary
- A Lost Identity Within I Am A Martinican Woman
- Antigone: A Woman Who Believes In The Power Of Women
- Blending Good and Evil in The Master And Margarita
- What Defines Protagonist’S Identity In The Master And Margarita And Kiss Of The Spider Woman?
- A Woman's Identity
- Antigone: A Woman Who Believes In The Power Of Women
- Gender Identity Conflict
- Philip Roth- Master of the Double Identity
- Women And Body Image
- Is gender identity the result of biology?
- Are young women dying to have the perfect body?
- Body Image of Women
- Culture and its Role in the Construction of Women's Body Image
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