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It seems that Nora is like a doll controlled by Torvald. She relies on him for everything, from her movements to thoughts, much like a puppet who is dependent on its puppet master for all of its actions. In the beginning of the play, Nora did enact the stereotypical role, which she felt she was required to do. In once instance, Torvald feels that he must reteach Nora how to dance the tarantella. Nora of course pretends that she needs him to teach her every move in order to relearn the dance. In truth, this is an act and proves her submissiveness to her husband. Once he is finished teaching her the dance he proclaims, "When I saw you turn and sway in the tarantella, my blood was pounding till I couldn't stand it" showing that he is more interested in Nora physically than emotionally...
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Common topics in this essay:
- A Doll's House (The Transformation of Nora)
- A Doll's House: Nora Perceived By Other Characters
- analysis of nora from a dolls house
- A Doll's Hous and Nora
- A Dolls House-nora
- In Act One Mrs. Linde describes Nora as “a child?” Is this a fair estimation of Nora’s character at the beginning of the play?
- Nora As A Doll
- Nora in A Doll's House
- Nora in "A Dolls House" and Willy Loman in "Death of Salesman
- Theme Of A Doll's House
- A Doll's House: Nora Helmer
- A Doll's House: Nora's Secession From Society.
- A Dolls House: Nora's Rebellion Against Society
- Nora As A Doll
- Analasys of Nora in A Doll's House
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