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The “whiteness” shown in Ceremony is represented by the white smoke, the white people, and the white man’s war, are all symbols of the sense of nothingness.
The first example of “whiteness” is illustrated by Tayo, a half-breed Pueblo Indian and the protagonist of the novel, who was “mentally damaged after his time in the white man’s war” (Cutchins 77). His experiences left him unable to think clearly, and he kept flashing back to his experiences in the war. He was highly medicated at the veteran’s hospital. His thoughts were scattered into white smoke. The doctors had him heavily medicated for a while; “For a long time he had been white smoke” (Silko 13)...
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