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This oddity places the reader on edge as we begin to expect something to go wrong despite everything seeming normal. The language in chapter one reflects Jocelin's state (as it does in every chapter thanks to Golding's unique narration technique of switching from third person to first person from Jocelin's point of view) as the reader gains the impression of anticipation and excitement at the prospect of the construction of the spire. Golding uses very powerful lexis such as "exploding" and "Loving" throughout the chapter as if the deliberately emphasis Jocelin's vitality; nothing is understated or subtle lingualy speaking...
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Common topics in this essay:
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