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Here I shall be focusing on the concepts of authorship and adaptation when dealing with the analysis of two of these adaptations: Sabotage (1936) by Alfred Hitchcock and The Secret Agent (1996) by Christopher Hampton. The frontier between one and the other will be given by the use of irony, the element which articulates the narratological structure of the novel.
“I don’t suppose there’s any novelist except Conrad who can be put directly on screen”
Orson Welles
"My task (…) is, by the power of the written word, to make you hear, to make you feel - it is, before all, to make you see...
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Common topics in this essay:
- Pearl Sydenstricker Buck, 1892 - 1973
- Chpt 13 1973
- Leggatt As An Independent Character In Joseph Conrad's "the Secret Sha
- Can U Keep A Secret?
- Comparison of Pygmalion and The Secret Agent
- Deceitful Relationships in The Secret Agent
- Symbolism in Thomas Mann's Story \
- The Ironic Secret Adapteur: Hitchcock And Hampton Adapting Conrad’S The Secret Agent
- Der nahe Osten in den Jahren 1948 - 1973
- The Effects of the Unstable Relations between the Organization of Arab Petroleum Exporting Countries and the United States of America after the 1973 Oil Crisis
- A Secret War Instills a Secret Behavior
- Abortion - January 22, 1973
- Abortion United States Supreme Court in the 1973
- Critics If Thomas Malthus Theory
- War Powers Act of 1973
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