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Had Williams grown aware of pretense, sentimentality, "pseudo-poetic verbiage" (Krutch 424), or was he laughing at family secrets, truths implicit in the text which he, as narrator and stage magician, was concealing under the pleasant disguise of theatre illusion and which he now, in retrospect, found puerile to have even wanted to hide? Was he gloating at those aspects of his earlier situation which the times and his immediate human environment?and, not least, his own tendency to dissimulate?had forced him to relegate between the lines, to leave unspoken, but which his artistic integrity compelled him to include all the same? Could he then have been laughing at his own autofictionalizing strategies, his ingeniousness at dodging without eluding, at revealing without being explicit?
¶ 3 In crossing that space between life and letters, two characters, Mr...
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