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They serve as symbols rather than people, vehicles which Euripides' and Aristophanes' female protagonists operate to drive motion onstage, allowing the women to orchestrate the defeat of their male opponents. As a result, the degree to which the human props in these plays work as symbols of greater thematic motifs largely determines how much power they possess. Whether they are acting under the direction of strong female leads, switching hands between men and women, or interacting with literal, inanimate props, the power and symbolism present within the minor characters of The Medea and Lysistrata accurately reflect the strength of the characters who wield them...
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