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Although scholars might not classify Eliot as a Surrealist, the surreal landscape, defined as "an attempt to express the workings of the subconscious mind by images without order, as in a dream " is exemplified in "The Love Song of J. Alfred Prufrock."
"Prufrock presents a symbolic landscape where the meaning emerges from the mutual interaction of the images, and that meaning is enlarged by echoes, often heroic," of other writers.
The juxtapositions mentioned earlier are evident even at the poem's opening, which begins on a rather sombre note, with a nightmarish passage from Dante's Inferno. The main character, Guido de Montefeltro, confesses his sins to Dante, assuming that "none has ever returned alive from this depth"; this "depth" being Hell...
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Common topics in this essay:
- Surrealism and Salvador Dali
- Fantasy'S Inability To Overcome Reality
- Fraudelence Personified
- The Love Song Of J. Alfred Prufrock: The Pitiful Prufrock
- Fantasy's Inability to Overcome Reality
- Fast Food and Its Inability to be Healthy
- SURREALISM AND T.S. ELIOT
- T.S. Eliot's "The Love Song of J. Alfred Prufrock" as a Modernist Work
- TS Eliot's Prufrock
- Surrealism
- Eliot's Views Of Sexuality As Revealed In The Behavior Of Prufrock And
- Salvidor Dali and Surrealism
- Surrealism Of The Temptation Of Saint Anthony
- T.s. Eliot And Society
- Freud's Inability To Love
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