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In Will You Be Quiet, Please? there is the paranoid self-cloistering of Slater and
Arnold Breit, and in What We Talk About When We Talk About Love we read of James Packer's cantankerous,self-absorbed disgruntlement about life's injustices. In Cathedral appear other, more extreme versions of insularity,from a husband's self-imposed confinement to a living room in "Preservation" to another's pathetic reluctance to leave an attic garret in "Careful." More strikingly in Cathedral than before, Carver's figures seal themselves off from their worlds, walling out the threatening forces in their lives even as they wall themselves in, retreating destructively into the claustrophobic inner enclosures of self...
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Common topics in this essay:
- Raymond Carver Boxes
- Raymond Carver's "Neighbors"
- Book Review on Raymond Carver's Will You Please Be Quiet, Please?
- Cathedral (by raymond carver)
- Critical Analysis of Raymond Carver's "Neighbors"
- Raymond Carver Neighbors
- Raymond Carver's Cathedral
- Raymond Carver's Cathedral
- Raymond Carver, 'The father'
- Raymond Carver
- Raymond Carver’S “Cathedral” Vs. Tess Gallagher’S “Rain Flooding Your Campfire”
- The Most Effective Literary Element In Raymond Carver'S Cathedral
- self-enlargement in Raymond Carver's Cathedral
- Disjunction Vs. Communion In Raymond Carver's Short Stories
- Alcohol Viewed Through the Eyes of Raymond Carver
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