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Somewhere in the middle, caught in a narrative Bermuda triangle, is Samuel Beckett’s being or may be a non-being of sorts---a self, an other, moving towards unnamability. It is the imposed authority of a narrative performance & its pre-fabricated futility as the Beckett of Worstward Ho (1983) prescribes--- “Ever tried. Ever failed. Try again. Fail again. Fail better.”3 So is Molloy (1950), a prior & better failure! “better-worse”4 so!
As it is said, Joyce expands while Beckett contracts. Joyce operates with omniscience while Beckett, in his own words, with ‘impotence’. As J.M. Coetzee remarks, Beckett truly represents writing at a zero-frame or the impossibility of it...
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