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Exploring Juliet's depth of character and emerging selfhood, Brown concentrates on Juliet's language in two scenes typically thought of as romantic (Act II, scene ii, the so-called balcony scene, and Act III, scene v, the morning after the consummation), and finds in these scenes and in the falconry imagery they contain an effort on Juliet's part to control Romeo. As Romeo's closest male companion, Mercutio plays a vital role in Romeo and Juliet. Joseph A. Porter (1988) focuses on Mercutio's relationship with Romeo, stressing that in both criticism and in performance, Mercutio's statements about the value of friendship are often underemphasized...
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