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The meaning of the narrator's response to the woods is caught in the contrast between the relaxed, conversational idiom of the first three lines, and the dream-like descriptive detail and hypnotic flowing of the last few lines. Clearing and wilderness, law and freedom, civilization and nature, fact and dream are the oppositions that recurred throughout the poem. Frost develops his own quiet contrast between the road along which the narrator travels with his horse, and the white silence of the woods, where none of the ordinary limitations of the world seem to apply. The reader of this poem also seems caught in the hidden comparison between the owner of these woods, who apparently regards them as a purely financial investment (he lives in the village) and the narrator who sees them, at least potentially, as a spiritual one...
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Common topics in this essay:
- Robert Frost's: "Stopping by Woods on a Snowy Evening"
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