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Further, as the story ends, he is "without expression." In these two scant pages Carver has put both the baby's (he might be a bastard child) and the father's (he's nothing of note, and may not even be a father) identity into question. Perhaps more remarkable, from the economy of prose standpoint, is that Carver achieves that feat all in the story's second page. The first page is mostly banal baby observing until the comment is made that the baby looks like the mother.
Although "The Father" is not one of Carver's better stories, the action on the second page does pay study because of how he generates so much meaning with an economy of words...
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