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Larkin really helps us to question just how much time we spend waiting for things to happen. The home waits for our return, the music and piano wait to be played. The vase waits for us to dust it. The pictures yearn to be appreciated, and the cutlery used. Do we connect with Larkin's predicaments, or is it just an ordinary house? And is Larkin completely negative and devoid of feeling? I don't think so, for we identify with the need for a home - a place to call out own, and perhaps Larkin is (almost eccentrically) suggesting that material objects have feelings too. Or perhaps, on the surface, Home is so Sad is purely based on the negativity of a person to look after their home, the boring and miserable lives that its inhabitants live, and the conformity to a type ("That vase" possibly being the must-have of the time)l which Larkin so furiously shunned...
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