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In order to use the same text to say something completely different, a producer must make use of different stage and acting techniques. This is demonstrated through the ways producers of nihilistic and Christian redemptive productions put forth their interpretations.
Peter Brook’s post-WWII portrayal of King Lear focused on the decay and destruction of human life and meaning. Throughout his production, Brook utilized metal framework for staging, tattered costuming and non-specific locations, alluding to the universal nature of the bleak world he has presented. Kevin Hagopian describes the production as “…surreal, horrifying, deadly, Lear’s world dissolves into a series of fractured glimpses of the inferno, splinters of a world gone mad...
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