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When discussing the ambiguity of the photograph of the horse and man, page 85, Berger can only guess as to why the photograph was taken and to what the meaning is. Berger describes this process as, " . . . a game of inventing meanings" (86). Here, Berger admits to creating meanings, based on his life experiences and his personal psychology. Obviously, if one places his or her own, fictitious meanings unto a photograph, there can never be a single meaning or truth. But what about the meaning of the photograph itself, alone, without Berger's private interpretation? This meaning, the absolute truth, remains hidden from all viewers because of their previous experiences, their life...
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