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It too, like a bullet, might have the capacity to enter into us, penetrating to the quick, compact and forceful, painful, too, but carrying with it a revelatory disenchantment. These are a critic's reflections, no doubt, and not properly a historian's, but they suggest material for a historical investigation. The penetrating powers of a work of poetry would not be a matter of religious transcendence, of truth in any moralizing or spiritualizing sense. Melville's bullet does its work "around the church of Shiloh, / The church so lone, the log-built one," and though that church echoes to the prayers of the dying, the bullet's powers of revelation are of a different order...
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