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What one risks, of course, is the currently ubiquitous accusation that one is repeating the self-representations of an inappropriately authoritative version of Romanticism, as my school-teacher certainly was (though none of us knew it at the time). There is indeed something innately Wordsworthian about the bicentennial, with its celebration of the endurance of a single past event. We recognise this rhetoric of revisitation and futurity: it is the language spoken by the affirming voice of 'Lines written above Tintern Abbey', the concluding statement of the 1798 volume. The poem reads rather like the recitation of a liturgy...
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