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Marquez’s William Faulkner-esque style combines narrative talent with the mastery of the literary mode, stream of consciousness. His international appeal and success come from his ability to lead readers to a place where the improbable and the truth converge, two ingredients which make up his novel Chronicle of a Death Foretold.
Marquez uses a “pseudo-journalistic reconstruction” in Chronicle of a Death Foretold to portray the importance of honor through the strict, ritualistic tradition of a Latin American community in the 1950s. This reconstruction is a narrative device that often drifts in and out of fantasy, demonstrated when the author starts off with “on the day they were going to kill him, Santiago Nasar got up at five-thirty in the morning” (pg...
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