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These authors moved from tales of local color fiction to realistic and truthful depictions of the complete panorama of American experience. They wrote about uniquely American subjects in a humorous and everyday language, replete with their character's misdeeds and shortcomings. Their success in creating this plain but descriptive language, the language of the common man, signaled the end of American reverence for British and European culture and for the more formal use of language associated with those traditions. In essence, these new authors "had what [the author] Henry James called "a powerful impulse to mirror the unmitigated realities of life," in contrast to the romanticist's insistence "on the author's rights to avoid representations of "squalid misery" and to present instead an idealized and "poetic" portrait of life" (McMichael 6)...
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