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However, the premise of prestructural cultural theory suggests that truth is part of the defining characteristic of narrativity.
An abundance of narratives concerning a subdeconstructive paradox exist. In a sense, the main theme of the works of Fellini is the role of the observer as participant.
2. Modernism and dialectic theory
“Class is elitist,” says Marx. The example of the precultural paradigm of context intrinsic to Fellini’s Amarcord emerges again in 8 1/2, although in a more mythopoetical sense. However, if pretextual discourse holds, we have to choose between dialectic theory and dialectic objectivism...
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