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Early in the process of creating Cabaret, Prince had gone to Russia to see theatre and had witnessed a provocative, confrontational, rule-busting production at the Taganka Theatre. It was everything Prince had been looking for. He later said, “The Taganka Theatre was traumatizing (in a good sense).” He would forever more gravitate towards theatre that challenged audiences, that intentionally made audiences uncomfortable, that made an audience confront their world in all its contradictions and ugliness.
Walter Kerr said in the New York Times in 1966 that Cabaret “opens the door to a fresh notion of the bizarre, crackling, harsh and the beguiling uses that can be made of song and dance...
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