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Cars are also described as scarabs, an ancient Egyptian symbol of magical power; this image suggests the hold over us that the automobile has. It is portrayed as a device to suppress free will instead of allowing the freedom of travel.
The dangerous potential of technology is further suggested by the portrayal of the police. The police car that catches the protagonist, Leonard Mead, in the suspicious act of taking an evening stroll is fully automated, powered not by a man but a machine. This robot-car is programmed to be insulting and accusatory, showing no compassion or mercy. When it questions Mead, it is extremely rude:
Police car: “Business or profession?”
Mead: “I’d guess you’d call me a writer...
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