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In the beginning of the film, these dissimilar viewpoints, prejudices and biases become a barrier in their decision-making but as the film continues their conflicting personalities help to enrich the actions and decisions in the jury room, resulting in a unanimous not guilty verdict.
The film looks at conflict in two interdependent ways. The first form of conflict portrayed in the film is through the plot. The jury must decide whether to convict the young boy of killing his father and sentence him to death, or conclude that he is innocent of the crime and set him free (Lumet, 1957). This first form of conflict frames the entire film, yet there is a second dimension of conflict that presents itself when the twelve jurors are sent to deliberate...
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