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Hopkins uses this rhyme pattern to describe the coherence and regularity of the nature, exemplifying it by the sea and the skylark. To underline this harmonious effect of sea and lark he makes great use of various sound patterns, starting off in line 1, where we can find two identical rhymes “ear – ear” and “two – too – to”, symbolizing uniformity and endlessness. Furthermore Hopkins works with many alliterations, eg. in line 3 “flood – fall” and “low – lull”, in l.4 “wear and wind”, l.7 “wild winch whirl”, l.8 “spill nor spend” and others. In addition occur internal rhymes, eg the exact one in line 5 “hand – land - ascend”, the partial one in line 2 “right – tide” or the already mentioned identical ones in the first line...
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