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The smaller paintings within the work are vigorous in their multiplicity, and the painting as a whole is magnetic as it forcefully pulls the viewer through space despite the two-dimensional nature of its form. A photograph only pretends to do justice to the intensity of this image and serves to entrap this painting in its own two-dimensionality rather than facilitating the subtle surrender of this restraint which is readily apparent in person. Paintings such as Panini's draw the distinction between interpretation and representation by moving stealthily into the real world through it's depiction of space and light; a characteristic that is lost through reproduction...
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