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She also worked with Ruth Benedict as well as fellow anthropology student Margaret Mead.
In 1926 Hurston, shortly after her degree, became one of the leaders of the literary renaissance happening in Harlem, producing the literary magazine Fire! along with Langston Hughes and Wallace Thurman. This literary movement became the center of the Harlem Renaissance movement. Hurston applied her ethnographic training to document African American folklore in her critically acclaimed book Mules and Men (1935) along with fiction (Their Eyes Were Watching God) and dance, assembling a folk-based performance group that recreated her Southern tableau, with one performance on Broadway...
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