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Carpeaux moved from Ecole painter Abel de Pujol (1785-1861), to the independent sculptor Francois Rude, and finally to the prestigious Ecole sculptor Francisque-Joseph Duret (1804-1865). After winning lesser competitions--despite being caught cheating--Carpeaux was awarded the Prix de Rome in 1854, but outstanding imperial commissions and illness delayed his departure until 1856.
Once in Rome Carpeaux intensified his reputation as institutional bad boy, canny professional maneuverer, and provocative artist. As a pensionnaire he battled repeatedly with the Villa Medici authorities and flouted Ecole policy...
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Common topics in this essay:
- Compare The Colonial Policy Regarding Native Americans, And The Corresponding Relations Between European Colonists And Native Americans In New France And Pennsylvania
- Jean-Baptiste Carpeaux
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- The Jean-Baptiste Bunch
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