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These events are arranged in a strongly causality-oriented linear narrative, with one event causing the next. This narrative is arranged around a central, active protagonist, whose decisions and actions are the key to the pattern of cause and effect that drives the story(2). This pattern seems so logical, so natural, that the audience of the classical Hollywood film is supposed to feel that they are receiving the material without the mediating intervention of the filmmaker. The link between heroes and the spectator under this model is therefore one of relatively unproblematic identification. Even films that featured anti-social heroes, such as the thirties gangster genre, modified the pattern only through imposing the strongly moral, tragic sequence of rise and fall; the audience's identification remained firmly with the central protagonist(3)...
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