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He came to the fore in the 1960s as one of the most inventive of the new school of Post-Painterly Abstraction, a reaction against Abstract Expressionism. He was then exhibited widely in New York, Los Angeles, and elsewhere. A retrospective exhibition in 1970 was held under the auspices of the International Council of the Museum of Modern Art in New York. He began as one of many post war minimalist painters, but then his work took a different route from the others, leading him to a "second career" in abstract expressionism. In this career, he struggled with issues, which had placed abstract art in a standstill after Mondrian, and Stella looked back to the sixteenth century for solutions...
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