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Edward was a pictorialist, meaning he desired, along with other experimental practices, an effect akin to painting in his photographs, this seems fitting as he was a painter as well as photographer. He had been a practicing photographer since 1895 and was very good at achieving the pitorialist effect, giving his photographs depth and meaning, a life beyond that of the subject photographed.
Steichen was a pioneer. Along with Alfred Stiegletz, Edward was a major advocate of the acceptance of photography as a legitimate art form. Until the 20th century photography had been used for visual documentary not as a form of expression...
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